Every time I resolve to start utilizing the track near my house, the school decides, evilly, to begin some construction project or other that involves shutting down the track for a few weeks or so. By the time the track reopens whatever resolve I had left is evaporated and I find myself thinking, "What. Is. The. Point?"
The point, of course, is that I make it up there every once in a while to see those large orange signs that display the closing dates, and today the signs were particularly enormous: TRACK WILL BE CLOSED FROM NOVEMBER 12 - 26 FOR WATER MAIN CONSTRUCTION. I grumbled at the sight of it, but still made my way up there. Today, after all, is the eleventh and some walking is better than no walking. I made it two laps before the sun decided to clear out completely, taking even the faint pink and orange glow that lined the San Francisco skyline - I like the track because of the view: you can see all of the beauty and none of the filth, all from the crisp air of the Berkeley hills - so that the track, though not completely pitch-black, dark enough for me to walk slightly faster. I was on the far end of the track away from the entrance and approaching an old box-car that had somehow ended up on the side of the track. In days of yore it must have stored athletic equipment, but its lopsided position and rusty hinges made it seem frankly abandoned. Berkeley had other beautification projects to worry about other than beautifying the dirt track, so they left it there, locked.
In the dark however, I heard a rustling, then a clanging, clank, crank and screeeech, and even in the dim, dangerous dusk I could see the door of the boxcar swing open. Four tall figures stumbled out, along with a stench that indicated that the box car had been their hangout if not home for quite some time, (common sense tells me there are neither showers nor toilets in a box car). They were dressed in an assortment of long, military coats, army boots and other rags that had belonged to warriors who lived before them - I could make out the outline of a mohawk and in another man's profile, a wild beard. I did not stop walking towards them, because it would have been strange to turn around and go back (even stranger, how I would rather keep up appearances than avoid a potentially dangerous situation), but I was aware that the track had suddenly become so dark that if something were to happen to me, no one could possible see or hear... not that there was anyone else on the track except for me and them. Except for their gruff voices and my timid footsteps, not another human sound was heard.
I walked, speeding up once I had gone past the boxcar, but their long legs carried them so that I could not make it past them before drawing some attention. Mohawk said, "Hello, miss," I smiled faintly, glad that they could not see the fear written over that smile. "You know they're closing the track for the next two weeks," he said. Somewhere behind him a comrade said, "Those fuckers. Two weeks... "
"I know," I said.
"Well, be prepared." advised Mohawk. I quickened my pace, doing everything in my power not to break out into a run - they were not dangerous, I don't think, but lost boys who perhaps had made the boxcar and the track their home. Even so, their stench and dress drove me to think of cleaner, well-lit spaces. The track's exit lay several yards ahead of me, and still I could hear their heavy boots crunching the gravel behind me. Each step I took brought about a worst-case scenario, everyone ending in my trampled body (with the marks of heavy treaded soles upon my face) being discovered by the water main construction workers the next morning. Finally the chain-link fence was before me only when I had emerged into the middle of the lighted street did I have the courage to turn around and face the lost boys.
But they had turned their backs to me, and were joking and jostling each other, making their first lap around the track. Like me, they had only wanted to stretch their legs before the track closed down.
It's been a long while since I've updated, not that anyone cares, but I'm not about to abandon Xanga-ship just yet. I'm currently in the main branch of the Berkeley Public Library, located on Shattuck Avenue. Normally I frequent the Claremont Branch off College which is in the nicer part of town and closer to my house, but I always found that library unfortunately small and, save for an exceptionally pristine bathroom, mysteriously smelly. Well, not so mysterious I suppose, given that homeless people in Berkeley see the libraries as some sort of sanctuary. They sit on the steps, muttering to themselves, unable to leave their bicycles upon which they have tethered newspapers and women's clothing and other junk items. The ones without bicycles but with duffel bags and canvas bags and plastic bags make it inside and use the computer (apparently even the homeless use email; I once smelled then saw a man dressed in rags using gmail, and it was not yet halloween) or just sit on the chairs and sleep, or read the newspaper. It's important for bums to keep up with current events, just in case someone asks their opinion on Obama's latest speech or the happenings in the middle east.
Anyway, I had stopped going to the public library for a while, preferring instead to spend a ton of money on used books at Moe's (which, if sales worked this way, I should probably own by now) or to check out books I never read from the labyrinthine University Main Stacks. Libraries ought to be built to a human scale, and Berkeley apparently did not get the memo when they constructed the Main Stacks, which, in its sprawling layout and underground location supported by cold, cement beams and giant metal shelves with those creepy cranks that scream of late-night murder mysteries, reminds me of Resident Evil. Instead of flesh-eating zombies I am surrounded by zombies (students cramming for finals) and the words of dead writers who without even trying or wanting to, will overshadow anything I ever attempt to write. Last week however, my university library privileges were revoked because I withdrew from school (long story short: I have ditched art history and will return in the spring as an english major; I am happy...but will now be the oldest undergraduate Asian female on campus) and was forced to look elsewhere to get my literary fix. So it was back to the public library.
I walked down to Shattuck today to return some drugs (to CVS) and on a whim, decided to enter the massive, art-deco style Berkeley Public Library Main Branch. Walking through the glass doors, I prepared myself for the dreadful odor of eau de homeless - this was afterall, the main branch, located bravely on the street where most of the homeless gather because it's technically "downtown" and close to the BART station as well. Instead, I was met with the familiar smell of books. The library was clean and bright and a young security guard sat at a wooden podium at the entrance, putting me immediately at ease (because young security guards sans guns are so effective at stopping major crimes from occurring in Public Libraries). The patrons are a far cry from the (mostly white and asian) demographics I am used to at home, but sure, I'll share my reading space with (more than a few) blacks, even that weird obese guy to my right who has way too much going on: portable dvd player, laptop, headset, magazines, and...a set of bongo drums. He is also humming softly to himself while tapping his right leg. Only in Berkeley.
I haven't made my way completely through the shelves, but I've seen, on my brief walk-through (for every seasoned user of public libraries always, always begins with a walk-through) an ample magazine selection, a large Chinese books collection, neatly labeled shelves of Fiction, Non-Fiction, Mystery, Science Fiction and small carousels of paperbacks that do not look as though they have gone through the paper shredder. I am shallow (liking to read does not necessarily indicate otherwise) and refuse to read ugly books just as I refuse to date fat, ugly men (like the bongo player next to me who is surreptitiously casting sly glances in my direction - I hope he is reading this). That, I suppose, is my cue. It is browsing time. Already I can tell that it'll have more than I need to tide me over until the next semester, when the University decides to let me back into its system.
I thought perhaps I would spare you all the one-sided love story that lines the cloud hovering over my head these days - but I have nothing else to write about see, or nothing remotely as developed as this burgeoning thought. But really, is it a love story if the object of my affection is absolutely, utterly, plumb without a clue as to my intentions for him? Unaware, is a word I've used before and I shall use it again: my Professor - yes, he of the hideous sweaters and clunky shoes - my Professor is unaware that I have, with unmitigated adoration, slithered back into his life via a thrice-weekly senior seminar on Lolita.
In case my parents haven't told you, I was on the brink of dropping out of school (again). The semester began cruelly, for there was nothing to tickle my interest in any of the four classes in which I was forced to enroll, should I desire to graduate this spring. Due to budget cuts and the failure of the pointless department in general, there were a grand total of four Asian art history classes offered, none were interesting and two were scheduled at the same time, further limiting my choices. Sometime during the summer I halfheartedly punched in the course codes for the following: Indian Art: Looking at Indian Paintings; Theories and Methods of Art History (required for all majors - shoot me in the face, please); Art Practice: Foundations of American Cyber-culture (shoot me in the face again, an utterly pointless class taught by a handsome Swiss German man who dresses curiously in clothes that have shrunk in the wash - pity, he would be very pleasant to look at otherwise); and the king bane of them all, my ultimate tormentor: a graduate seminar on Japanese Art, taught by an ageless bald man with a chary smile and a dead front tooth. He makes me nervous; I cannot explain.
It was - no, is - this schedule that hovers like a storm cloud over my head, parting only on the weekends when small diversions - a movie, a dinner with friends, a slow, delicious browse through the second hand bookstore - somewhat distract me from the never-ceasing list of readings and assignments. The first week ended and I was in very low spirits. There was absolutely nothing for me to look forward to in the academic sphere, and as it occupies such an enormous percentage of my present pie, I entertained briefly the thought of absconding, for the semester, with a large bag of books and potato chips into the university bell tower.
On the walk home, I was calculating the price of this reverie (tuition plus health insurance plus rent and confusion all around), when I ran into my only friend at Berkeley, a tall, tan girl of mixed descent with poetic leanings. Erica is one of those rare, detestable/enviable creatures with endless amounts of energy, optimism and love, enough for you you and you (unless you bore her). She was walking towards campus with an arm full of books and a smile on her face, completely opposite the frown that played on mine. I was overjoyed to see her, the anchor of my college social life, but I immediately thought to smite that smile from her countenance. Blasted, happy English major, that elusive element of my life!
"And where are you headed," I asked after we had exchanged overdue hugs and greetings.
"Oh, off to my next class. I'm taking a senior seminar on Lolita!" I understood her exuberance. Lolita was her favorite novel by far, and she had always insisted that I read it. I had intended to, over the summer, especially after doing the independent study with my professor on Laughter in the Dark, but a relation of mine had passed away overseas and I was occupied with other things.
As Erica launched into the logistics of the class I began to do a little retracing in my mind: a subconscious connect the dot - however far-fetched and disconnected those dots may seem. Before the professor I had associated Lolita with my friend, but last semester, I began automatically, to think thus: Slavic Literature - (and here the dash will represent a link) Anna Karenina - Laughter in the Dark - Vladimir Nabokov - the Professor. Thus Lolita - Vladimir Nabokov - the Professor. I froze.
"What? What?" she said, looking down. I realized I had grabbed her arm as my mind raced.
"What is the professor's nam - no - is it (I spoke his name)?"
She nodded enthusiastically, "Yes! Yes! It's him! Is that your man?"
"My dream man! Yes!"
"Oh he's wonderful," she admitted, recalling the many descriptions I had given her the semester before, "You know, I had a hunch that it might be him. There was something about him - oh and you were right his voice is amazing - and I just thought, "This might be Betty's guy!"
We stood on the sidewalk for ten minutes longer, me trying to extract as much information from her as possible. My heart leaped at the possibility of joining the class, but sank just as quickly when Erica informed me that the course was scheduled for Mondays, Wednesdays and Fridays, the latter two days coinciding with two of my most detested classes. Regardless, I resolved to go to the class on Monday and ask the Professor if I could audit his course. Of course he would remember me and of course he would say yes. Erica and I parted ways and I walked home, imagining his reaction to my reappearance in his life.
I drank too much tea last night, had a good cry during "Sisterhood of the Traveling Pants," and then settled into bed, expecting to get a much-needed full-night's rest. No such luck - I ended up staying awake until three-thirty, waffling between reading criticisms of Edward Hopper and Vanity Fair (the magazine). So this morning, I woke up as per usual, at eight am, with my eyes feeling as though someone had poured salt upon them. Needless to say, I was not in the best of moods, but forced myself through the morning motions with the help of a hot shower and hearty breakfast: oatmeal slow-cooked with ripe bananas then topped with dried cranberries, chopped nuts, and cinnamon.
The shower helped for about ten minutes and the oatmeal for about five. My body becomes all sorts of wonky if I don't put it to rest for at least seven and a half hours (it used to be eight, until I began this crazy college lifestyle) and if I do the math...subtract three thirty am from eight am equals...four and a half hours does not seven and a half make. What an unnecessarily long sentence. Needless to say, the plans I had scripted the night before, meant to be enacted today, were put off until I had eaten lunch. I sat at my desk for a full fifteen minutes, staring blankly at the to-do list before me: Print-out more Hopper articles in Moffit; Check out books on Hopper, Nabokov; Read for Histart 100; Complete Art Practice Assignment, etc, until I finally got up from my chair, changed my pants and decided to make the trek to school.
It is, if you have not stepped outside today (but only if you live in the cooler, upper half of this wonderful Golden State), a most gorgeous fall day: it is slightly chilly but sunny, with a crisp breeze and that smell - do you know it? The dry, fresh smell of fall, when all the humidity has been zapped away from the surface of things, leaving you with dry, unadulterated air particles which enliven your brain because they come directly from the skin of nature. They roll off the reddening leaves and skate over chilled tree bark, hop over the exposed roots (the toes of trees) and down the sidewalk, which has been swept clean by the breeze and right into your nostrils as you emerge from your front door to leave for school.
It is that kind of day. On top of it, the streets are not quiet but gaining momentum in a rowdiness only a Cal vs. USC football game could arouse - the sidewalks closer to campus were crowded with the maroon red (dried Trojan blood, I suppose, speaking as a Bear) jerseys of visitors from the truculent south and the blue and gold sweatshirts of my schoolmates, who despite attending the higher ranked institution, seemed somehow less robust than our opponents.
Thus this was the scene I walked past, and as I drew closer to campus and the football festivities, the fall air began to tremble with the vibrations of loud rap music being blasted from dilapidated frat houses, to intermingle with intermittently noisome and fragrant perfume of young girls and middle-aged women alike, and the intoxicating scent of various barbecues - a tantalizing echo of my more carnivorous days. I walked through these smells in the hollowed, sleep-deprived shell of my body and made eye contact with no one, for I was wearing sunglasses, and became confused: what was I going to school for? Was it not a saturday? Ought I not to have sported a smile on my face?
The doors to Moffit, though not high at all, seemed, in my distorted, sleep-deprived vision, to loom before me as an entrance to a dungeon, into which the studious voluntarily incarcerated themselves. Pressing the elevator button to the basement, where all the computers and the fast, laserjet printers are stored, I sighed heavily, realizing that I would probably be one of at most three people in that basement, printing out articles I did want to read (to impress my professor, if for nothing else), but not today.
The doors slid open (as elevator doors do) and I stepped out into the dull atmosphere of Moffit's underbelly. Here, the scent of fall is nowhere to be found, having been replaced by the strange, electronic odor of computers and wires and the smell of too many students tapping away on too many keys, soaking up radiation and other unseen poisons. I walked down the quiet lonely hallway, a literal cage (no pun intended) filled with books waiting to be shelved to my right, though the grates seemed to enclose me rather than them. As I turned the corner, a familiar sound struck me, and I raised my eyebrows in surprise. Surprise because the sound, familiar though it was, played itself to me on the weekdays, not weekends, I spent in Moffit. It was that aforementioned sound of too many fingers tapping away, feverishly. I entered the computer lab and saw, to my surprise, more than half of the computers occupied. Here were my comrades, the non-football gamers or pre-gamers, the apologetically studious who put school before pleasure (though in my case, one class is very intrinsically tied to pleasure), the... my eyes cleared for a moment and I saw that they were my comrades indeed, in every ethnic sense of the word: Asians all of them, all of us.
What to make of this? I do not know - but a hazy cocktail of recognition (for are we not all here together for one and the same?) and resentment (why are we like this? why computers rather than sunshine? Why homework but not football?) I pushed the thought away and took my place in their midst. The questions are for another time. For now, there is a to-do list to conquer.
Two summers ago I was faced with a choice: to attend Berkeley or UCI? Perhaps the question I ought to have asked was: Do I want to go back to college at all?
Obviously, this is not another love poem to academia (Not that I have ever written one) but rather a contemplation on the many faces of regret. Sometimes, it is not called regret but a sort of fishing around for something to justify your choices. So I am fishing. Fishing for something to make my time here (and there, and there) seem worth it. Which is why, I suppose, I study so hard in college - not textbooks, mind you, but people.
My cousin (who is here at law school, a fate infinitely more brutal than mine) and I have been recycling the following conversation night after night, over our humble dinners of brown rice and two stir-fry vegetable dishes (if we are feeling grand we open a can of tuna or crack an egg over the rice):
"Why am I here?"
"What is the purpose of all this reading?"
"Do I care a rat's tail about art? About Asian art?"
And as we are the only two people at the dinner table, no one can provide the answers but us. We obviously do not have them, and any shadow of an answer we possess is swathed in a hazy fog: a bright future full of career possibilities, social respect (though this is not even guaranteed for a degree in Art History), and for what? Two letters that cost my father a mint and four plus years of academic drudgery.
Why this feeling? Always, this strange duality - the part of me that loves to learn yet the pretension to self-scholarship, to want to do it under my own, carefully controlled conditions - a good local library, a quiet desk, comfortable chair, plenty of snacks, smooth-rolling pens, lined paper, and a handsome dictionary and of course, the internet. I've heard it before: you are the master of your own education, but here, I do not feel that I am. Of course I am, in that conventional sense: It's up to me to study however hard I want for whatever class, to interact with the professors and other students, and it is entirely up to me to take my education to the next level or to let it stall, sputter and die in my die-hard desire to quit school and "make it" in this world sans college degree.
My parents hear me talking like this and say, "Oh, here we go again," because they think I am not being serious - but given my track record, they know I am capable of it.
My friends cluck their tongues and say, "Don't do it, Betty. You'll regret it so bad." And that stops me, briefly, from entertaining the notion - but I look at them and I look at me, and understand that we are very different.
This is, I suppose, where I ought to go on a big-headed monologue about how I am meant for greater things, where I draw out stunning examples of other writers who wrote beautiful without the structure of formal education (and perhaps spend too much time perusing this website): F. Scott Fitzgerald, who dropped out of Princeton, Ray Bradbury, who never went to college, Bill Gates, Paul Allen, Ellen, Lindsey Lohan - you know, all brilliant and successful people who made it big without the two letters.
And I can't lump myself in with them, how can I? With nothing to my name but a diary full of ideas and a list of books I've read, I am but a tiny fraction of the writer I hope to become. But this feeling that won't leave, this feeling that in school, I'm not wholly myself but rather an automaton or a human being trapped in a waxen body that has somehow gone to seed and is no longer capable of being shaped to the artist's liking, is gnawing violently at me and I cannot help but feel that the worthlessness of my particular college experience is lost on everybody but me.
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